The Use of the Assassin
Presenters
Andrew J. Shapland, Ashmolean
Museum, University of Oxford, Amy Jenkins – Le Guerroué, Ubisoft, Romain
Fascialé, Ubisoft, and Felicity McDowall, University of Oxford
Abstract
The exhibit Labyrinth:
Knossos, Myth and Reality took place at the Ashmolean Museum, Oxford
between February and July 2023. It was the first major exhibit to focus on the
archaeological site of Knossos, covering the site’s mythology, discovery, and
subsequent excavation. It featured more than 200 objects, over 100 of which
were on loan from Athens and Crete. Alongside these was a bespoke four-minute
film from Ubisoft’s 2018 video game Assassin’s Creed Odyssey that
showcased a digital recreation of the Palace of Knossos, as reimagined in the
fifth century B.C.E. This extract, filmed inside the game, took the visitor on
a tour of the Palace and finished in the Labyrinth below. Subtitles were added
to the film in order to explain the comprehensive research carried out by
Ubisoft’s research unit, historians, and external experts that was used to
recreate Knossos in the game. The film was adjacent to the section of the
exhibit that explained the reconstructions of the Palace by its excavator, Sir
Arthur Evans. These concrete reconstructions were also partly a reimagination
of the site as it might have looked in the classical Greek period. This
parallel meant that the game raised important questions about reconstructing
ancient sites, whether virtually or physically. It also proved popular with
visitors, many of whom found the scenography and details of the reconstruction
compelling. An evaluation of the exhibition with over 1000 visitor responses,
and observation of visitor behavior, was carried out. This paper will review
this visitor data about the Assassin’s Creed Odyssey film in order to
gauge its impact. It will provide a case study for the use of a video game in a
museum exhibit about the ancient world. The presenters will also reflect on the
process of collaborating between a museum and a video game company.
AIA-4I