Prototypes, Copies, and Fakes: A Case Study of the Croton, Thourioi, and the Italiote League (20 min)
Presenters
Marc Wahl, University of Vienna
Abstract
At the beginning of the
fourth century B.C.E., a series of coins was struck in Croton that inspired
numerous copies in Magna Grecia. The female deity on the obverse—commonly
addressed as Hera Lacinia—was particularly popular in Campania. Among scholars,
the use of this motif has been interpreted as the shared type of the Italiotic
League. This symmachy, which had its seat and its federal sanctuary in Croton
in the temple of Hera Lacinia, was founded as a defensive league against
Dionysius I of Syracuse around 393 B.C.E. and later served as a defense against
the Italic people.
Coins of koina, and, although
more rarely, symmachies, as well as cooperative coinages, are well known in
Greek numismatics in classical times. Sharing coin types may be one, but not
the only, way in which such partnerships are expressed. A frequently mentioned
example are the ΣΥΝ-coins, which document a symmachy of eight poleis in Asia
Minor. The case of the Italiote league seems similar: the type of Hera Lacinia
was used on the coins of six mints (Croton, Thourioi, Poseidonia, and Pandosia,
as well as the Oscian settlements of Hyria, and Fensernia in Campania), two of
which (Croton, and Thourioi) are explicitly mentioned in the literary sources
as members of the league.
However, the commonly
presented case of a symmachical coinage does not stand up to closer
examination. First of all, it is noteworthy that some important members of the
league, such as Velia, Caulonia, or Tarentum, did not strike coins with Hera
Lacinia. Moreover, there are difficulties in the numismatic evidence as well.
Already known for some time is that the coins of Hyria and Fensernia as well as
those of Thourioi share the same obverse die. While this does not seem unusual
for Hyria and Fenserni, after all the exchange of dies is quite common in the
coinages of the Oscian settlements, the die transfer between Campania and
Thourioi is remarkable. In the research it was mostly argued—implicitly based
on a supposed cultural gap—that the die of Hera Lacinia migrated from Thourioi
to Hyria/Fensernia, but a closer comparison of the wear of the die as well as
stylistic comparisons with other Thurian coins shows that the die was produced
in Campania and not in Thourioi.
The coin with the Hera
Lacinia in the name of Thourioi seems to be a counterfeit, minted in the area
of Campania. The coins from Poseidonia, which are all plated, also belong to
this group. In this way, the theory is no longer tenable. Rather, it seems that
the reason for the frequent use of Hera Lacinia on Italic coins is to be found
in the artistic content of the Crotonic prototype, which itself derived from
the Arethusa of Kimon in Syracuse.
AIA-7B