Fear and Loathing in the Family Tomb: Roman Sarcophagi as Antidotes (20 min)
Presenters
Mont Allen, Southern Illinois University
Abstract
Emotions have been the
explicit subject of little scholarship on Roman funerary iconography, although
several important works have addressed them implicitly. Understanding how the
images on Roman sarcophagi aroused particular affects—such as love and desire,
or peace and bliss—is a concern of Zanker and Ewald’s magisterial Mit Mythen
leben, while others, such as Elsner and Platt, have emphasized these
coffins’ power to awaken religious awe.
Thoroughly missing, however,
has been any consideration of potently negative emotions: above all, the
closely allied emotions of fear and loathing. Yet the Roman tomb of the high
and late empire was uniquely primed to produce these. Sarcophagi were not airtight
containers, and the stench of decay as the corpse moldered and putrefied in its
coffin must have produced visceral revulsion among visitors. As for fear: the
Roman conviction that the manes of the departed were fearsome and always
potentially vengeful beings who needed to be placated through rituals of
appeasement (the Parentalia, the Rosaria/Rosalia, etc.) conducted at the tomb
was a real one—a fear which the dark, damp conditions of most tombs, and the
loathsome stench, would only have fed.
This paper contends that
certain genres of sarcophagus form and imagery were directly intended to combat
these potent negative emotions. The many sarcophagi shaped like lenoi
(wine vats) invited the visitor to reimagine the deceased’s nausea-inducing
decomposition in Dionysiac terms instead, as a form of fermentation like that
which transformed grapes into wine: something intoxicating, elevated, even
divine. And those many showing the tragic deaths of mythic characters were
designed to rouse as much grief as possible—precisely to mollify the manes,
whose fearsome anger at those still living was appeased by such grief. In this
way, I show, sarcophagi served as powerful antidotes to fear and loathing in
the tomb.
AIA-3B